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At this point, BioShock did not have many cutscenes, as Levine was ideologically opposed to them. However, the following day, Levine and the lead group came up with a "cheap" way to correct this, by adding the initial cut scene within the plane and the subsequent plane crash, as this helped to set the time frame, place the player in the role of the character, and alluded to the "would you kindly" line later in the game.[40] Levine likened this approach to the initial aircraft crash at the onset of the television show Lost to quickly establish character and setting.[28]
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Unlike in the previous game, Little Sisters will not run away from the player when they meet and instead greet them, able to be "Adopted" to collect ADAM or "Harvested" to collect greater amounts of ADAM at the cost of their lives.[12]
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They roam the underwater dystopian city of Rapture, mentally conditioned to protect the Little Sisters - little girls that harvest a substance called ADAM from corpses - thanks to a series of plasmids stripping them of their humanity and free will, The player's interactions with Big Daddies and Little Sisters have been described by developer Ken Levine as the cornerstone of the game, due to the player's need for ADAM in order to gain strength in the game.[1] The protagonist of the upcoming BioShock 2 is said to be the first Big Daddy ever created.
Big Daddies are beings who have had their skin and organs directly grafted into atmospheric diving suits, and are armed with either a rivet gun or heavy drill. Though they make low-pitched groaning noises, Big Daddies have no voice actor attributed to them.
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A visit to the GE Building and its statue of Atlas in New York City was the principal idea that led to the art deco stylings of BioShock. The thematic core of BioShock was born when Levine was walking at Rockefeller Center near the GE Building in New York City. He saw the uniqueness of the art deco styling of the building along with imagery around the building such as the statue of Atlas near it, and recognized that these were spaces that had not been experienced in the first-person shooter genre.[28] The history of the Rockefeller Center also fed into the story concept; Levine noted how the center had started construction prior to the Great Depression; when the primary financiers had pulled out, John D.